Retcon
1. (original meaning) Adding information to the back story of a
fictional character or world, without invalidating that which had gone
before.
- Urban Dictonary
A few months ago we took out a subscription to Lovefilm Instant, which among other things has given me dangerously unfettered access to Buffy episodes. I have been indulging in a fit of nostalgia and watching the entire thing, all 7 series, from start to finish.
Watching the early seasons of Buffy is like looking back at my own teenage years. The main characters are supposed to be mere months younger that me; the clothing, hair, technology and mannerisms are all those of my own generation.
As I was watching the first season, I couldn't help paying extra attention to the character of Willow, who as anyone familiar with the series will know, later becomes/realises she is a lesbian. For those who are not familiar, teen-Willow has a crush on a boy, slightly-older-teen-Willow has a relationship with a boy, but early-20s Willow has two successive relationships with women. I don't know - I haven't read up on it - whether this was always something that Joss Whedon intended, or whether it developed as the seasons went on.
When I look back at my own high school years, there are some things that stick out glaringly as signs that I was gay and didn't know it. The way I blushed and stuttered when speaking to girls. The way I couldn't quite 'get' crushing on the usual cute boy celebrities and had to pretend as best I could. The way I craved "intense friendships" with girls and didn't quite know what that meant.
As I watch these early seasons, I can't help looking for the same signs in Willow... and imagining them, where I can. Imagining in her unknowing proto-lesbian character my own proto-lesbian self.
It's surprisingly therapeutic to overlay the past with the future, to see in earlier events the shadow of later events that the players in those events could not even imagine.
Ok, so it's seriously flaky to fail to blog about one's own wedding for two whole months, but in my defence they've been pretty busy months.
Married life is treating us pretty wonderfully so far. I've started a new (and much nicer) job, and the munchkin has started his full-time schooling career. Big changes for all, but we're managing well enough.
And now I'll stop waffling and Show You The Pretty.
We expected to have pretty decent weather, given that we held our wedding in the middle of July. Unfortunately it was in fact the wettest July for a century. *sigh* Our wedding day was a little drizzly in the morning, but fined up just enough to allow outside photographs after the ceremony.
My mum arrived in Hertfordshire the day before the wedding. I hadn't seen her for more than two years and it was overwhelming and wonderful to have her there. She also kept us *just* this side of sane as various things went inevitably awry at critical moments!
On the morning of the wedding we went over to the reception venue and got it all set up with the help of Ellie's wonderful brother and sister-in-law. That all went off smoothly, and despite unexpected traffic we still got back to the house in time to meet the hairdresser. We got all dolled up and then dodged the drizzle to climb into a car with *no back doors* (yes that was quite a feat in those dresses!) and get down to the ceremony venue.
Here we are waiting nervously in the small ceremony room before the ceremony, with my mum, the munchkin, and our flower girl:
More waiting:
A note on my jewellery - the crystal earrings and necklace were a gift from my maternal grandfather to my mother, decades ago. She's had them in reserve for me for years, and I'd always intended to wear them on my wedding day.
We walked down the aisle (such as it was - very short as we had to come in a side door instead of the main door due to some light rain!) to "Forever" by Debra Arlyn:
The song was one Ellie found on a youtube video of a German lesbian couple's wedding, and it struck both of us as just so perfect.
The ceremony was short but sweet. We only had one reading, and it will forever make us slightly cross but resigned that the woman who read it (not our lovely celebrant in the picture, but another registry official) flubbed the last line and changed the meaning entirely. Thankfully most people heard it the right way around anyway!
“Love is a temporary madness; it erupts like volcanoes and then
subsides. And when it subsides you have to make a decision. You have to
work out whether your roots have so entwined together that it is
inconceivable that you should ever part. Because this is what love is.
Love is not breathlessness, it is not excitement, it is not the
promulgation of eternal passion. That is just being in love, which any
fool can do. Love itself is what is left over when being in love has
burned away, and this is both an art and a fortunate accident. Those
that truly love have roots that grow towards each other underground, and
when all the pretty blossoms have fallen from their branches, they find
that they are one tree and not two.”
For anyone listening closely, there was a little gasp in the background. My lovely artist friend Sarah had, all unknowing, created a painting for us as a wedding gift... of two intertwined trees. She couldn't have chosen a more perfect subject!
Here we are moments after Ellie put my ring on my finger:
During the signing of the register, we listened to "Flora's Secret" by Enya. It's one of my favourite Enya songs (and Enya is one of my favourite musical entities), and I played it for Ellie pretty early on in our relationship.
The signing mockup photo (we'd already done the actual signing when facing the other way!):
First kiss:
We processed out to "Feeling Good" by Nina Simone. This one was Ellie's idea as I wasn't familiar with it; but as soon as she played it I knew it was right. Civil marriage & partnership ceremonies cannot contain any religious messages or references, but to me (as a nature-loving pagan) this is practically a hymn.
Various set shots from the garden…
Me and my mum :)
One day when we were starting to think about ordering wedding rings, Ellie said "I think what I really want is a rose gold wedding ring." I'd never considered anything other than white gold, but again she was right. They are beautiful (and comfortable!) and I have only taken mine off once since the wedding day.
Our simple but happy-making décor at the reception:
We had home-made favours (bulk chocolates wrapped in baking foil and tied up in mesh bags, secured with a wired rose) and I printed the table numbers and labels at home, just as I did all of the other stationery.
The cake was one of the aforementioned 'awry' moments. We were planning to get our names and decals to match the stationery printed on a large sheet cake, but the cake printing machines at both local stores broke and it was too late to get to anywhere else, so we improvised. The crystal hearts were the only remnant of the original plan; they are napkin rings that were given to my paternal grandmother on her wedding day.
Our reception was just lovely. I had set up a slideshow of images juxtaposing my childhood with Ellie's - matching first days of school, awkward high school pictures, and so forth. It made for a great conversation piece and icebreaker, as well as allowing for nostalgia on the part of our families. It was also a way to ensure that our absent fathers (in Australia on my part, deceased on Ellie's) were there with us.
A good friend of mine read out a letter from my Dad, and my two maternal uncles also sent 'telegrams' that were read by my Mum during her speech. Ellie's brother made a speech too which brought the house down. He talked about Ellie as a child: "I remember her kind of as a giant book with curly hair and little feet. She'd come running after me... 'Matt! Matt! Matt! Did you know...' and I'd just know I was going to miss Dangermouse." We laughed until we cried. It was everything a big brother's speech should be.
I made a bit of a speech too, and I think I was fairly coherent if a little rambly from nervousness. Luckily when I was running out of things to say the munchkin came up to me and said "Christine, do you know what? I can see a CAKE." and that gave me the perfect out! The munchkin later made his own speech which entertained everyone mightily and is still discussed whenever my wedding is mentioned amongst friends.
Later on the dance floor got going, and despite not having "My Sharona" in his collection (WTF?) the DJ did a stellar job. Watching my Mum get up and do some well-known party dance (a British equivalent to the Hucklebuck) with Ellie's relatives and various British friends was a highlight of the evening. We were there until the waiters gave up, switched the lights on and started clearing up!
It was a brilliant, wonderful, fantastic day and I couldn't have wished for better - not even including wishing for sunshine as I can always reflect that at least it wasn't too hot!
I am very happy that all the months of planning went off so well, that the image I had in my head came to life closely enough that I was completely satisfied. Everyone and everything was wonderful, basically.
Next up: a recap of our GLORIOUS honeymoon. Brace for a picturesplosion!
Since January, I have been working in a school that demands extremely high levels of planning paperwork, which undergo constant monitoring. The workload is demanding, the management style highly critical and perfection-oriented, and 100% commitment is expected.
And I've been giving it, more than I ever have before.
I've been working 9, 10, 11 hour days and more. Plus hours upon hours on weekends to do the stuff I just can't fit in during the week. I've dropped out of a sport I loved because I had no energy for it, stayed in when I needed fresh air, given up opportunities for socialising, sacrificed sleep, dropped the housework ball more times than I can count, grouched at my family, and felt like an escapee whenever I found five minutes in which to pursue my own interests. My life these past few months has been a work-induced blur.
I thought it was the right thing to do, because this job was important. It was my key to ongoing employment: getting it right, showing my commitment, being the best I could be might lead to a permanent contract, and thus stability and financial security.
So, last week it came to crunch time. I interviewed for my own position along with potentially 1-2 more positions in Key Stage One. My lesson was good. My data analysis task was rated excellent. My panel interview went as smoothly as you could hope. I know the kids, I know how the school works, I have the knowledge and experience to make this work.
But they said there was someone better. I will not be needed next year.
Oh no, feel free, I'll just stand here while you punch me in the gut.
I got the call very late at night, and my deputy head - who had said that she wanted me in the job - sounded as gutted as I was. But that's as may be. I went quickly through the stages of grief: only a little denial before anger set in, barely a moment for bargaining before I hit a huge pile of depression. But after a good night's sleep and the first few conversations in the morning, I'd made it to acceptance.
Thursday and Friday were hard. In fact, they sucked. People were either shocked, or consoling, or avoided me. I was disconnected, suffering resurgence of the cricked neck that had plagued me earlier in the week, and feeling rejected and wistful and exhausted.
On the weekend, my body asserted itself, and gave me a sore throat and lost voice: the one complaint that can truly keep me home from work. Go, body. Today (Monday) was spent largely in bed.
The upshot of all this is that it's time to take stock. I've allowed myself to be overcome by this school's demands, which are far in excess of any other school I've taught in, and do not necessarily serve the needs of the pupils any better than systems at other (often much better) schools in which I've taught. There's only so much I can do to reel it in - as long as I'm there and needing a reference when I leave, most of their demands have to be met - but I'm going to try.
I'm going to leave early enough to see full daylight every day.
I'm going to source plans where I can and quit re-inventing the wheel.
I'm going to make sure I have the energy to go to gymnastics.
I'm going to get home early enough to have some alone time every day.
I'm going to use that time to do things for me.
and...
I'm going to start working towards what I really want in life - which is not to be a slave to an education system that lets down its staff as much as its pupils. I have some dreams and some half-formed plans, and I'm going to do at least one thing every day that is a step on the road to getting there. I got out of mainstream education once, and fell back into it... time to look at getting out again.
Awen (noun): poetic inspiration. From the Indo-European root *-uel, meaning 'to blow'.
I love the concept of awen. A wind blowing through your soul, bringing inspiration in its wake. I've only recently discovered the term, in reading about modern Druidic tradition amongst many other explorations of pagan paths. It immediately spoke to me, like few other concepts in any tradition have ever done. I know that feeling intimately, and seeking it forms a big part of my own search for a spiritual identity. For me, without spirituality there is no awen, and without awen there is no spirituality. The sense of connectedness and transcendence is something I have sought since I was young.
Music has always been one of my sources of awen. When listening I find it in music of all genres, from classical to new age to Enya to ordinary pop/rock ("Solsbury Hill" by Peter Gabriel and "Steer" by Missy Higgins are perfect examples). I also find moments of it when singing or playing an instrument in a group - those moments of transcendence when the ensemble combines perfectly and the music itself seems to come to life. It's one of the major reasons why I still love Anglican church services - there is a magic in massed voices that defies artificial boundaries between faiths.
The natural world, and its weather and the turning of its seasons, has always been my biggest source of awen, and it is what led me to paganism. Red berries against a blue sky, sunlight across the plains, a crayfish scuttling under a riverbank, the wind in my hair, mist rolling up a valley, thunder on a hot night, the first frost of autumn... when I am out there in the natural world, awen is everywhere.
Of course, the man-made world is not without awen either. Buildings that are old or odd or quirky. Artworks I like for no better reason than that they speak to my soul. (Here is one - I have seen the original in the Tate and was captivated). Crafts that are nifty or cute. An uplifting book scene or a really clever joke. When I open myself to it, awen is everywhere.
My desire to write fiction has been driven by childhood experiences of awen. It was lacking in my real life - we were not a religious family - and my main sources of it, then as now, were music, nature and stories. My formative years were shaped by books and stories told in electronic media that blew into my soul, inspiring me to act them out, extemporise, adapt and retell over and over again out in the half-acre scrap of garden and bushland that was my childhood temple. All of the books I've tried to write and the stories I've tried to tell have contained elements of this raw need to channel, create, inspire and share the sensation of awen.
Age 9, glowing with inspiration
I've been thinking about this a lot lately, as I try yet again to put words on paper, or on screen as it is these days (and perhaps that's part of the problem). The wind of inspiration blows into me, and I come alive with the thought of the story I have to tell. I envisage it whole in my head, see it, feel it, live it out in little scenes in my mind, but when the words reach the page they seem to lose their sparkle. How do I maintain that sense of wonder, and the fierce spirit of inspiration? How do I keep the fire of awen burning for the weeks, months and years it takes to craft a novel? How do you keep your spirit glowing with purpose when you're burdened with money worries, or the toddler is being irrational, or when the housework never seems to be finished? How do you teach your heart to be open to awen every moment of every day? Not just for novel writing, but for teaching, and cooking, and keeping house, and nurturing my loved ones, and hoping and believing and growing?
What are your sources for awen (or whatever you would choose to call it)? What reminds you that it's good to be alive, or feeds your creative fires? Where do you get your inspiration?
Usual disclaimer: this is about sex, sexuality and the philosophies thereof. It may contain details. Do not read if you're squeamish about any of the above.
About 11 days ago, when the events began to kick off that led to me becoming involved with my darling girl E, I had a moment of sheer panic. What if all those bitchy naysayers about bisexuality had been right? What if I was just looking for attention or trying to be special? What if I found myself in an intimate situation with a girl and realised that I was in fact not really attracted to women that way at all? I believed I was bisexual and had gone as far as kissing and that felt fine, but for a moment I wondered whether it really was all in my head.
Thankfully the panic was over quickly and turned out to be entirely unfounded. Not only was it great, but it was far, far better than anything I'd ever experienced with a man. That is not to insult the men I've had relationships with - well, not to insult the few of them who actually had decent skills - but being with a girl felt right in a way that heterosexual relations have never done for me.
While potentially triggering another round of 'what is my sexuality, exactly?', this also opened my eyes to the very real difference between heterosexuality / homosexuality and bisexuality. I simply cannot imagine only being attracted to a single sex. I may have spent 20 years of my life being unknowingly bisexual and another 10 largely pretending I wasn't, but it was there in my mind... there to the core. To me the 'either or' mindset is so familiar, natural and comfortable. I had a stark moment of realisation that most people are genuinely only interested in one gender, one way or another. It struck me just how weird that was to me, and equally just how weird bisexuality must seem to those who don't experience it.
The long-awaited confirmation that this really truly is who I am forced me to confront the fact that this is something that most people are not. A very strange moment. A defining moment of identity that was really very meaningful and special, and I don't want it to be eclipsed by the general squeeing over-excitement that currently fills my days.
I am bisexual. Naturally, fundamentally, from birth to death, to the core. This is part of who I am.
Our language and culture tends to deal in absolutes. He is a student. She is a teacher. People are, or are not. We have more trouble with processes, gradual slides from one thing to another. And this is strange, because most people spend most of their lives in the process of changing, not as the static "things" their labels would suggest.
I am not a human who is being one particular thing or another. I am hundreds of processes. I am a human becoming. What am I becoming? Who knows! We might just find out together.
